Saturday, February 15, 2020

Album Review: Mike Viola - Lurch

Being independent since 2005, Mike Viola's Lurch was available first as limited CD with only 1000 copies. It was also a free download directly from Mike for a short time to share it around the world.

The album combines wonderful harmonies and songwriting resulting in stupendously addictive songs.

Here is a short song-by-song review: The opening track is "Maybe, Maybe Not" - there's one line ("I put my heart into it") which is the key to the whole record.


"Girly Worm" - a love song for a girly worm. Having myself a girly worm around, I love it and its lyrics.


"All Bent Out of Shape" is very much Candy Butchers and leads straight to my first personal highlight, "The Strawberry Blonde". As soon as the intro starts I'm trapped in this song. Just perfect, it's a song you simply can't turn off or stop listening, and it just brightens up your mood. It's uptempo, with wonderful harmonies, multi-layered sound and chorus.


It's slowing it down with the heartfelt and nice ballad "Dangerously Close".


"279 East 10th Street". A song about moving. About an address. And a classic pop song.
"So Much Better" is another or maybe THE killer tune of the record. With a length of just 1:50 min, it's get stuck in your head (for me: it never left).


"Snowman in Tompkins Park" - a lovely ballad about hotel mood and yearning. I love the harmonies at "I can't wait to see you again". "When I Hold You in My Arms" - oh, a song with clapping along. Like it! "Good Ideas Grow On Trees" - the official album closes with this truly beautiful ballad (there is a beautiful video, too).


And now for the bonus: Buying the Japanese CD or the vinyl, you get three bonus songs. While bonus songs often having a B-side touch, these are the exact opposite. Many artists would create a whole record with these as key tracks: "Find Somebody To Love", "Something Electric" and "Motel Mood". So sad only few people are able to listen to them.



Final remark: There is only one bad thing about this album: it's too short! You can't resist to this record. You'll find yorself to start it all over again after the last song.
You won't find even one filler song there. Lurch is one of my top three records of all time.

You can buy Lurch digital, on CD and and if you're extremely lucky on vinyl (vinyl includes also a mp3 download and the bonus disc).

Album Review: Mike Viola - Hang On Mike

There are many musicians out there who are said to be underrated and unheard - if I could name one, Mike Viola would be my personal number one.

Hang On Mike was released in 2004. It brings up stories from his boyhood ("Superkid"), finding his love ("What To Do With Michael"), troubles of touring and a musical career ("Unexpected Traffic", "Hang On Mike"), family ("Let's Have A Baby") and quite personal, sad and tragically times ("Charlie" and "Painkillers").

"Hang On Mike" cover

Hang On Mike ends with the fabulous "Hunker Down", which lays bare the insight of a musician.
There is a lot of struggling all over the record about being a musician resulting in his final statement: "If there's one thing you're good for, it's another song."

Mike Viola manages it like no other to put serious topics together with catchy and upbeat melody.
I have to warn you: this music is addictive! If it gets you it may never leave you again!

The Candy Butchers live at Joe's Pub in 2004
 
Hang On Mike was remastered in 2010 - only on 180 gram gatefold Vinyl with digital download and 27 bonus tracks (demos, live stuff).




Album Review: Bleu - FOUR

Here's a short track-by-track review of the new album of Bleu, called FOUR:



1. Singin' In Tongues
An infectious opener - it shows what to expect from the album. 

2. B.O.S.T.O.N.
Great upbeat song. And a perfect radio single.

3. How Blue
One of the most beautiful songs Bleu ever wrote. It's a grower. After the first listen I wasn't sure about it, now it's my favorite along with... (see song no. 9).

4. Dead in the Morning
After reading the song title - would you expect an upbeat, catchy song like this?

5. In Love With My Lover
Slow, intense, like it! It's probably the oldest song from the album - it was up on Myspace (I think) since the release of "A Watched Pot".

6. When The Shit Hits The Fan
It immediately gets stuck in your head.

7. I'll Know It When I See It
Another grower. To be honest I wasn't very impressed by the demo, but the final song is simply astonishing!

8. Evil Twin
Not my favorite one, but I enjoy it.

9. Ya Catch More Flies With Honey Than With Vinegar
.... this one. To make it clear: it's my absolute favorite song from the album. It's kind of epic. I can't exactly say why, but it reminds me A LOT of Queen (in their best years).

10. Everything Is Fine
It's a collaboration with Roger Joseph Manning Jr. (from Jellyfish). A good song to close a strong album that has not a single filler song.

If you are still not sure whether to buy FOUR or not - you have to. Don't believe me? 
Listen to it on Spotify: Bleu - FOUR @ Spotify

Album Review: Bleu - Redhead

Redhead - the second record of Bleu - hit the stores in 2003. I found it by chance in 2007. 
Listening to Owsley, Jellyfish and Ben Folds I stumbled upon his name several times. Then I listened - and immediately bought the CD. 
About six years later, I managed to get him to Europe for a house concert. I also created this blog because of music like his.

Starting with "Get Up" - catchy, guitar driven, arousing interest in what comes next, which is ...
"I Won't Go Hollywood". It's not just a rock song, it's an anthem.
"We'll Do It All Again" - a song that you may fell in love with. For years and years.
"Searchin' For The Satellites" - a wonderful and powerful ballad.
"Could Be Worse" is again more upbeat. I remember finding the video clip on Youtube. My first thought was "What the f...k?!?" Still, it's ... interesting ;-)
"Watchin' You Sleep" - just gorgeous. Is there any other song in the world about stalking you can call gorgeous?
"Somebody Else" - for many it was the first contact with Bleu's music. It was featured at the Spiderman Soundtrack. And it's great. Period.
"You Know, I Know, You Know" - bluesy, powerful, it grows up to the end of the song.
"3's A Charm" - the powerful closing song for one perfect album.
Not to forget the hidden tunes "Feet Don't Fail" and "Dance dance baby doll dance" (a collaboration with Andy Sturmer).

The first pressing of Redhead had two songs, "Sayonara" and "Ursula Major, Ursula Minor" which were dropped for new ones on the second release. My suggestion: buy both.

Closing comments: Okay, before you listen to the record I will give you a last warning - these songs get stuck in your head (and after that in your phone or Spotify playlist). And they won't leave!
With the release of Redhead (and his following albums) Bleu has gained a loyal fan in me.

Epilogue: After Redhead, Bleu recorded A Watched Pot in 2005. Just after the record was done, Bleu was dropped from the label along with many other artists (and employees) - Sony’s downsizing was responsible for that. For four long years the album remained unreleased. I couldn't believe it when A Watched Pot was finally released in 2009, but that's another story for another great album. A Watched Pot is probably my favorite record of the last years because of its tremendous songs, but probably it's also because it lasted four long years to get a proper release for these great songs.
 

Album Review: The Major Labels - Aquavia (Bleu, Mike Viola, Ducky Carlisle)

Almost three years ago when I started this blog one of the first things I did was a review of Aquavia, a record of a musical project by Mike Viola, Bleu and Ducky Carlisle called The Major Labels. I stumbled upon my old review today and had the urge to update and expand this - just because this record deserves this. So here it is:

As you already may suspect, I like the music of Bleu & Mike Viola. With producer Ducky Carlisle they formed a super group  -  The Major Labels.
Aquavia - their first and most likely also their last album - is really pleasure to listen to. You feel the fun they had recording this all over the record.  
It's in parts a kind of reminiscence to the music of The Beatles & the 70s Paul McCartney (Hummingbird, Richard Randolph), Queen and ELO (Don't Hear A Single, Velveteen Queen).
On the other side Aquavia is not just a record of twelve 3 minute songs. It's rather a record of three artists in their most creative phase, playing with ideas and pouring out songs or song fragments. It's illustrated by the rhythmic changes that appear frequently through the whole album. 

Some notes on the songs (this will not be a track-by-track review):

I Don't Hear A Single is their "Fuck The Record Industry" song (to quote Ducky). Ironically, it would be able to storm the charts...
Ode To Something To Cry About is a song about a rejected song. A song that didn't make it on the record. But the song about this song is there. Quite simple, right?
It's funny but five years later the song - Something To Cry About - can be found on the re-release of the record.
The sheer beauty of Hummingbird made the decision for me and my wife quite easy to use it as our wedding song.
Aquavia - beautiful, intense and scary - closes the record.
So, five years after its release it's still one of my favorite records of all time.

Finally a personal note: I don't know what happened to the relationship Bleu & Mike Viola - it's a sad thing there are no more collaborations between them.

You can (and you should) listen to the whole record at Soundcloud:


And here's a little goody for you. This is from the Myspace page (does anybody remember Myspace? You know - this thing which was popular before Facebook...) when the record was originally released:

The Making Of AQUAVIA" by Mike, Bleu and Ducky! 

TML - they've got it made...and here's how they did it...track by track, blow by blow, truth by truth...no autotune and no spellcheck...

1. The Major Labels (Got It Made)

Mike Viola - Our version of Hey Hey We're The Monkees or whatever that song's called. like the rest of this music, written fast and furious. I think this one transpired in the dining room of Aquavia Road. then fleshed out on the porch. the whole thing was recorded through a TV set. an amp Bleu made out of an old TV set. he promised it would be the best sound ever.
Ducky hated it. I thought it was perfect. So perfect in fact that I plugged the bass in and used it for that too. So....kind of no amps on that track....just a loud TV set.

Bleu - ...i gotta defend Ducky here...he doesn't hAte that TV...that crazy thing was the bass sound on the entire "Blizzard Of '05" record...although..i don't think he's used it on anyone eLseS record...heeey..wait-a-minute!...well, for the geeks out there, i think that thing is an old Sears amp that i had built into a TV cabinet...if you put a cinder-block on top of it so it doesn't rattle it sounds pretty stupendous...actually, i think more songs should be recorded with only one amp...the stuff all kind of sticks together that way.....my favorite line in this song is "i listen to your records every day"..nearly true...

Ducky Carlisle - Our Theme song from our upcoming sitcom-and real old school shit---it sets up the record as not being too serious...........plus We Do Got It Made! Live 3 part harmonies on one microphone!...Might even work live!

2. Don't Hear A Single

Mike Viola - Bleu had this title kicking around. I kind of hated the idea. I didn't want to make a song that was bitter about the music industry in any way. I don't think he did either, so we steered it in this direction which showed sympathy for the devil himself. once we hit upon this we lent it to the rest of the record. pathos for the underdog overacheivers in us all.

Bleu - ..the jumping off point for the "story" of this song was an actual a&r guy i knew...he used to keep a big cardboard box of cassettes by his desk..i'm dating myself, but, that's how people used to send their demos in before mp3s...one day i rummaged through the box and saw that each one had a mini yellow sticky-note attached with the word "nope" written on it...not "no"..not an "X"...he actually wrote "NOPE" on every single one..?..i always thought that was such a telling little detail...sad, funny, quirky, obsessive.....anyway..both Mike and I agree that being an a&r guy is a bummer of a job...this song is kind of our sympathy card...

Ducky Carlisle - our fuck the record industry song---and original working album title---I recall me and Bleu having to sell Mike on this one!...catchy little number-and pretty funny as well. Probably make a good single!

3. Velveteen Queen

Mike Viola - the only song NOT written at Ducky's during those fateful 11 days we spent making Aquavia. but this one tipped us off to the idea that we could in fact write together. I didn't want this one on the record.  thought it was too commercial sounding. what an idiot.

Bleu - ....i agree...Mike is an idiot...commercial circa 1977 maybe!...
..i had the title kickin' around for like a year, and it was the first song i wanted to write for the band...i'm so glad MV came to his senses and it made the cut...to me, this is our "single"....hey..even 10CC had one!..

Ducky Carlisle - The least co-written song on the cd---Bleu had this one started so we were worried it wouldn't sound like us---but it does. Bleu was right about this one....glorious glam pop

4. The Bitter Pill

Mike Viola - the idea: each member of TML writes a verse about whatever they dreamed of that night. So we did, and somehow they didn't go together at all. but if you listen to something over and over enough it starts to make sense in a way you could never dream of.

Bleu - ....if i remember correctly, there isn't really any embellishment on those verses...those were the dreams the three of us had the night before pretty much verbatim...was it the bitter pills that made us have those dreams?..eeeeee...

Ducky Carlisle - I sure feel sorry for the drummer that has to play this song live!!! It's a tricky one---it's as prog as TML gets ( and not very prog! ) I get to sing in my Big Bopper voice. ( Mike wrote that verse after i told him i had a dream where i got a green watch and my life became perfect.)

5. Richard Randolph

Mike Viola - a song about a diddler. what were we thinking. most of this was kicking around under my fingers for a while. but I had been singing a different melody. I rememer playing it on the tack piano and Bleu looking at me like a was totally missing the obvious, which I was, "that melody is like a fucking french horn part not a lead vocal part". so we came up with the Nillsonesque thing....
added the tuba and away we go!

Bleu - ....i think we feel sorry for this diddler though?..oof....i'm pretty sure the "bapa" part was Mike's original melody..?...i love the response line on the chorus..that was all Ducky's idea...cotton candy and pez / lemon-heads...mmm...

Ducky Carlisle - An ode to child molester----we're so PC!!!!! Our "Aqualung"!

6. Hummingbird

Mike Viola - song wrote itself. then Bleu took a shower and the lyrics got better. then we figured out this cool 2 part guitar thing that set it off. then it was decided we would record outside with real birds and the sound of water and wind and stuff. ended up exactly how we thought it would. I lost my voice that morning so I sang whatever I could which was this minimalist octave pedal part. work with what you got! I think that if I COULD sing that morning it wouldn't have sounded pretty whimpy us singing tight harmonies. some shit like "More Than Words". don't really want to go there. (but I know Bleu and Ducky would in a heart beat)

Bleu - ...actually, we all had terRible allergies that day...it was pretty scragly, but, that's some real-ass shite...i've told a tun of people that we recorded that song live, outside, and that all the birds chirping, etc. are real..but, i don't think anybody has really believed me...it almost sounds "too-good-to-be-true"....actually, i got pretty emotional after we did the last take..it was just one those moments...when i was a kid, that was how i imagined people made records..sitting in front of microphones, just playing..but..it's never actually like that.....well, that day...it was...

Ducky Carlisle - Like Ringo did for the Beatles-some of my stupid sayings inspired TML songs. I'd mentioned to Bleu and Mike how I loved the Bird songs ( Blackbird by The Fabs and Bluebird by Macca )...so they came up with this one. Technically it's not a Maje labes song as I don't sing or play on it, or do any writing ( Thank God! )...but it's to be noted that this is a live recording done outside on kate's porch....the birds and waterfall are real.

7. Jimmy Kenney

Mike Viola - oh boy. this song. It was decided late in the game to write a song about Ducky's neighbor Jimmy. so we started....and it was good.....and the Aerosmith bass line part came to me pretty quick....BUT....then we found out his last name was KENNEY....and forget it....it practically finished itself. we flipped out over it. my favorite on the record. Bleu and I sang al the vocals together on one mic. the reason? for vibe. and protection. protection against autotuning. I didn't want ANY of us to be tempted to iron things out with autotuning. so we both sang on the same mic for every song. even if the other guy wasnt' singing at the same time he had to be right next to the other guy.

Bleu - ...i fought the "two guys on a mic" thing pretty vehemently at first, but, i'm so glad that's how we did it now...i would have never sung those parts like that if Mike hadn't been standing right frickin' next to me...he pushed me, inspired me, physically threatened me, spat in my face (unintentionally?).....hey...if it was good enough for The Beatles...
..i feel like i should point out that every line in this song is 100% true...Jimmy Kenney really does drive a crane for the city of boston..worked the big-dig..he really did play bass in an Aerosmith coverband..F150..piss-tested..all of it...and i hang out with his awesome-ass every time i'm in Medford..

Ducky Carlisle - The Rocker---no guitars but Mike plays TWO basses ( Jimmy played bass ....get it!!! ). these are ( mainly ) my stream of concious lyrics about my next door neighbor and buddy Jimmy----salt of the earth, bud drinkin, Red Sox rootin' son of a bitch. A non-gay love song from 3 men to another man.....and it's all true!

8. The Sweet

Mike Viola - the first song written and recorded at Duckys. the night before I joined Bleu onstage at the Paradise. and I was sick as fuck. Ducky drove me home and made me tea, gave me a robe and tucked me in. the next morning I felt better....but we were there to start TML. somehow I turned it around. It might have been the robe. I didn't take it off the whole time I was there. anyway, this song is basically a bunch of fragments stitched together. the Duncan Browne section is one of my favorite moments. I think Ducky played his man boobs on this one too. so, there's that.

Bleu - ....yeah..those robes are pretty addictive..and possibly magical....if i remember correctly, this song was almost completely finished shortly after lunch...doing this song first definitely informed the rest of the record..after that, it just seemed ludicrous to try to record any sort of standard "3-minute pop-song"....a 2-minute pop-song maybe!..but.......oh, also, despite what the lyrics might sound like, we all love Duncan Brown, Stevie Moore, and Emmet Rhodes..they are us..we are them...

Ducky Carlisle - A masterpiece if i do say so myself--the first song we wrote and recorded--all in an afternoon! it set the bar pretty high---the basic track ( piano and acoustic guitars ) are live---if you listen you can hear Bleu and Mike moving from instrument to instrument.

9. Ode To Somethin' To Cry About

Mike Viola - conceptualized and spit out almost in real time on the porch. (besides the end which took almost a half day to do) the recording was beautiful. B and I crammed on D's stairway. the glorious sound on the stairs. D punching record and running up from the cellar to sing his 3rd part harmony. (the high one!) all done live of course. on one mic.

Bleu - ...."something to cry about" was recorded during the first session at Ducky's...and when we came back for our next session, it just didn't make sense anymore...somehow, we all knew what "The Major Labels" was by that point..and that song..was not it...buuut (there's always a but) we LOVED the Beach-Boysie harmony-bit at the end..and we kind-of lamented that we had to sacrifice that part because the rest of the song didn't work...untiiiiil, we wrote "Ode To Something To Cry About"...voila!....i'm sure there are other songs about songs out there, but, i'm convinced, this is the best one...

Ducky Carlisle - The song about the song that didn't make the record---with the end of the original song that didn't make the record stuck on the end of the song that made the record. We thought the real song was too rootsy---but in retrospect I love it-------maybe a future b side. The original sounds like Ramsey Lewis meets NRBQ! The ode was recorded later in the recording process so by this point those 2 were letting me sing---exciting for me, if not for the listeners!

10. Deja Vu (All Over Again)

Mike Viola - Ducky's title. Yogi Berra's actually. but...great idea for a TML song. to watch Ducky dance to this song is one of the great joys in life. Bleu came up with that sick 12 string part...super hook! VERY Peter and Gordon of us.

Bleu - ....sometime i think we should do an EP of songs all based on Yogi Berra quotes..he's got a lot of good ones...the thing i love about this song is that it's complete at only a minute and fifteen seconds long...three choruses (four if you count the double at the end,) two verses...i wish we could have squeezed a solo in though.....oh..regarding the intro..Mike and i just woke up one morning and started playing that..the mics were already on the piano, so Duck just went downstairs and hit record...i think we always meant to make it into a proper-song, but that never happened...Ducky insisted on squeezing it on the record anyway...it does sound kind of "deja-vuey" i think..

Ducky Carlisle - I was telling the lads about Yogi Berra and his malapropisms -this being a famous one--and they fell on the floor laughing!!!!! One of his most famous is a sticky, gooey candy coated pop ditty.

11. Aquavia

Mike Viola - I'd been listening to the Bee Gees record Trafalgar and tripping on the magestically weird chorus' sung by Robyn. anyway, Bleu had the verse structure kicking around and then the chorus just kind of shot out of us. the recording of it bummed me out cause I had just lost my voice and it was fucking HOT in Ducky's house. I had my shirt off singing at the top of my lungs at the bottom of Ducky's stairway....just working with what I had. I hated how it sounds but....they really thought it had something. So we kept it. i love Bleu's voice on this. very Buggles even though he tried not to be. and the drums? COME ON!

Bleu - ...i had those verse chords kickin' around for 5 years or more...i always thought they were so "eerie"...when Ducky told us that the lake across from his house used to be a hot-spot for shooting silent-films, and that every few years someone dies in the lake because they try to swim across and their feet get caught in these pond-weeds..well, the whole thing came together very quickly...personally, i love Mike's vocals on this one...in my mind, it perfectly matches the pathos of the music...

Ducky Carlisle - I love this one---recorded live in my stairwell--soaring vocals--dark storyline----it scares me but it's beautiful.

12. TML4EVA

Mike Viola - I had nothing to do with this. I hated it at first. But now I love it. espcially if you listen all the way through and the CD player is on repeat. It's like Finnegans Wake!

Bleu - ....Ducky and i both though the record needed a book-end badly...somehow..after we finished and sequenced the record..it just felt like some sort of rock-opera..or concept-record..even though it was not conceived as such...for me, this song ties it all together.....sort-of....

Ducky Carlisle - our homage To Lou Reed's "Metal Machine Music", Brian Eno, and the runout groove to the british sgt pepper lp......or maybe it's me and bleu in my basement with a computer and a lot of weed......P.S. I intentionally haven't read the other guy's stuff so if i'm redundant...well too fuckin' bad - DC

P.S.
Ducky Carlisle - ---now that i've read the other guy's stuff, i have to chime in with Bloooie in agreement on this one: Mike's vocals on "aquavia" are ridiculous---the other stand out vocal I forgot to mention is Bleu's "Tonight" lullaby in the sweet--------it could make a grown man cry.

L.E.O. - Alpacas Orgling

L.E.O.? Looks familiar, doesn't it? Yes, it's no accident that you might get an instant connection to The Electric Light Orchestra.  But Alpacas Orgling is not a tribute album of the usual kind. There are no covers but rather ten completely original songs (along with two bonus tracks).
For the record: Alpacas Orgling is the best record Jeff Lynne never made.


It was released in 2006 and included the finest collection of artists: Bleu, Mike Viola, Jason Scheff (Chicago), John Fields, Hanson, Ducky Carlisle, Andy Sturmer (Jellyfish) and Scott Simons.
That's a hell of a band.

The songs refer to Jeff Lynne's style, but there are also references to George Harrison (Goodbye Innocence) and The Beatles.


The project was led by Bleu. Vocals are shared between Bleu, Mike Viola (Distracted, Make Me), Andy Sturmer (Goodbye Innocence) and Scott Simons (Sukaz Are Born Every Minute).

Listen to the record here:



Final note: Bleu once told me someone in the audience paid him a compliment that his voice on Sukaz Are Born Every Minute was his best one yet. The point is: he didn't sing on it ... (main vocals were exclusively by Scott Simons).

Album Review: Bleu - A Watched Pot

A Watched Pot - the third record of Bleu - supposed to follow Redhead but got into a lot of trouble.

A Watched Pot cover

A Watched Pot was recorded with John Fields in 2005 for Aware/Columbia Records.
A few weeks after finishing the record Bleu was dropped from the label (as well as many other artists) because of downsizing of Sony.
This did not stop him to play his songs and stream them and new ones at Myspace (Does anyone remember Myspace? It is so long ago!). The record was never released on CD or digital ... until 2009! 


These four years were full of creative work: Bleu moved from Boston to L.A., put out L.E.O.  - Alpacas Orgling (a project with Mike Viola, Andy Sturmer of Jellyfish and Jason Scheff of Chicago), created The Major Labels (a power-pop project with Mike Viola and Ducky Carlisle) and released Aquavia (the first and maybe last record of The Major Labels), and worked as a producer.

The A Watched Pot sessions resulted in these songs (I'm not sure if this list is complete):

- Save Me
- Boy Meets Girl
- Come 'n' Go
- The Blame Game
- It Can't Be Bad (If It Feels So Good)
- Go
- I Won't Fuck You Over (This Time)
- What Now
- What Kinda Man Am I
- No Such Thing As Love
- The Penguin Song
- I'm In Love With My Lover
- Kiss Me
- One Day
- Singin' In Tongues
- When The Lights Go Out
- A Watched Pot
- Take Cover

The retail version was finally released on July 14, 2009 with the following track list:

1 Save Me
2 Come 'N Go
3 No Such Thing As Love
4 Boy Meets Girl
5 Kiss Me
6 I Won't Fuck You Over (This Time)
7 When The Lights Go Out
8 What Now?
9 Go
10 One Day
11 What Kinda Man Am I?
12 The Penguin Song (hidden track)

I'm In Love With My Lover and Singin In Tongues were used for FOUR (the follow-up of A Watched Pot in 2010) while The Blame Game, It Can't Be Bad, Take Cover and A Watched Pot were released with Besides, a compilation of B-Sides and previously unreleased material in 2011.

Bleu said:”It truly means the world to me to finally get this record released. It always feels good to put your art out in to the world, but after all I've gone through for this material to see the light of day, the reward is particularly sweet.”

I am so glad Bleu was finally able to release this album.
A Watched Pot may not be as upbeat as Redhead was, but these songs are so strong - it would have been a shame not to have it out in the world.
It's a perfect record, in terms of production, clever lyrics and wonderful harmonies - all is carried by the wide ranged strong voice of Bleu.


I won't go into detail about the songs, just listen to them!
Only one thing: Every single song on this record is addictive, catchy and marvelous.

Here are the official videos for No Such Thing As Love And Come'n'Go:



Official website: www.bleutopia.com

Friday, February 14, 2020

Mike Viola - Introducing... Mike Viola (Japan Best Of)

A new Mike Viola new release, finally!
Well, at least it is a best-of compilation ("Introducing... Mike Viola"), along with two completely new songs ("Don't Want To Die In LA", "Everything's Great").


I personally would buy the CD just because of these two songs (and I did so) - but it is also a very nice selection of the extensive Mike Viola catalogue.

Listen to the full album on Spotify (sadly without the new songs):
https://open.spotify.com/album/7d6RiwXlvQHdLgMJqHHuhl


You could also buy the CD: http://www.cdjapan.co.jp/product/SICX-149

A Girl Called Eddy - Been Around

Many people did not ever think there would ever come a second A Girl Called Eddy album.


Her critically acclaimed debut came out in 2004 - it has been a while to say the least. 
Here it is - and yes, it was definitely worth the wait! Listen to three of the songs here - or the whole record at bandcamp (link below):




Buy the album (digital, CD, LP) here: https://elefantrecords.bandcamp.com/album/been-around-2

Brendan Benson - Good To Be Alive

"Good To Be Alive" is the new single of Brendan Benson, the album "Dear Life" coming April 24, 2020.





Preorder the album "Dear Life" at https://orcd.co/dearlife

Bebopalula - Coloring Book


The song "Coloring Book" is the first single from the yet untitled forthfcoming album of Bebopalula.
The four members - Chris Price, Emeen Zarookian, Alex Jules and Ben Lecourt - are all quite busy in music apart from this band:
Chris Price has released three solo albums, produced comeback albums for Emitt Rhodes and Linda Perhacs and worked with Roger Joseph Manning Jr., Jeffrey Gaines and Val McCallum.
Jules, who last year released his solo debut is touring keyboardist for the Monkees and Badfinger. 

The album will be out April 20, 2020.